"Rust" is supposed to be a title for this series I had in mind. Animation, even though I havent done it in a while, is something that I really devote my time to in order to make sure everything looks right. I get the most of my satisfaction through that part of the process. Modelling, for me, is the ultimate kick when doing 3D. Modelling and animation would be my strong points. My first attempt in this would be the RUSH HOUR image. I've always wanted to duplicate the many compositions of some of the grittier photographs that can be found in LIFE magazine, or National Geographic. I also like to do imagery that deals with modern life and issues. Sci-fi is a genre that really gives an artist a chance to let his/her imagination run amok. I grew up with the Star Wars series, so the majority of my work will always reflect on my love for spaceships and weird aliens. If I see something outdoors that piques my interest, I tend to translate it either on paper or through the computer. Also, everyday surroundings can be a great source of inspiration for me. I watch a lot of movies and read a lot of books, so the bulk of my ideas are sparked either by something I read, or something that I saw on the screen. What are your main sources of inspiration? To this very day, I still thank my lucky stars that I chose what I chose because I have heard from a few friends in advertising that it is in a slump right now. It ended up becoming a draw between that or Creative Advertising, but I eventually chose the former rather than the latter. After going through different courses the college offered, I came across a 3D animation course. Back then, 3D animation was not quite as big as it is today. I originally saw myself taking Creative Advertising in College, since I thought that was the field where I could best apply my love for drawing. I am 23 years old, and currently living in Toronto, Canada.Īctually, I almost never got to do 3D at all. The only point of doing this setAttr is if you want to interactively display more than the default of 1000000 polygons on a single stroke.My name is Giovanni Nakpil. Where strokeShape1 is the name of your stroke, pfxHair or pfxToon node. To set it so that there is no limit: setAttr strokeShape1.maxDrawSegments 0 For example: setAttr strokeShape1.maxDrawSegments 10000000 If you would like to display the full stroke, and you have the available memory, then do a setAttr on that stroke's maxDrawSegments attribute. For more information see “maxDrawSegments” in the Maya Help. Should you exceed this limit, a warning message appears: Setting this value prevents very heavy brushes from locking up the interactive display. ( However the batch render will complete.) Setting maxDrawSegments on a stroke to zero makes it infinite, in other words, Maya will keep drawing until the stroke is completed or it runs out of memory. With the maxDrawSegments attribute, the stroke stops drawing when the maximum value is reached the stroke does not change shape, it is just incomplete. This value is controlled by a hidden attribute called maxDrawSegments. The maximum number of segments or poly faces that Maya will draw in the scene view defaults to 1000000. My strokes look unfinished, for example, my tree does not finish drawing The Threshold value determines the transparency at which surfaces will not appear in the depth buffer. Thus a transparent surface or motion blurred streak will totally obscure any Paint Effects strokes behind them. With Furthest Visible Depth, Paint Effects strokes lying behind these elements will punch through as if they were totally in front.Ĭlosest Visible Depth picks the surface nearest the camera within the pixel. You can affect how the renderer decides how to reduce multiple depth values visible within a pixel to the single output depth value using the camera Depth Type (in the Output Settings section of the Attribute Editor). For rendered effects where multiple surfaces are visible within a single pixel (such as transparency, antialiased edges, motion blur, light fog, and volume densities) this creates problems, as there is one depth value and one color per pixel to composite paint effects into. Paint Effects uses the depth buffer generated by the scanline renderer to determine occlusion. Paint Effects strokes render in the wrong order relative to other objects in the scene
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“It’s a real shame mills are down,” said Joe Nemeth, manager of the BC Pulp and Paper Coalition. Canada accounts for about half the global production of such fiber, called northern bleached softwood kraft. That’s a region that produces a premium kind of pulp known for giving high-quality toilet paper a cushy feel. to idle or close operations in British Columbia. The turnaround caused producers from West Fraser Timber Co. In lumber, the market started plunging after a dizzying spike to a record high in 2021. That underscores why supply-driven inflation has been difficult to tame. Increased volatility, pandemic-induced logistical woes and Russia’s invasion of Ukraine have caused wild price swings and some shortages across raw materials. The saga of toilet paper shows just how difficult it is for global supply chains to bounce back from the snarls that have tormented commodity markets over the past few years. US retail prices for toilet paper have already surged about 20% from July 2021 to the end of last year, according to NielsenIQ. have implemented price hikes in an effort to boost margins. Now, the world is facing a squeeze for wood pulp - the raw material for products like bath tissue.Ĭosts for pulp globally are climbing, and toilet paper makers including Kimberly-Clark Corp. That’s causing ripples across the global paper supply chain, which depends on the byproducts produced at the plants. In Canada, the world’s largest softwood lumber producer, roughly a third of sawmill capacity is now shuttered in British Columbia. As a result, sawmills are closing up shop. The housing downturn has sparked a crisis in lumber, sending futures tumbling more than 60% in the past 12 months. US Downs Unknown Object Over Alaska as China Tension GrowsĬlock Is Ticking Louder on a Stock Rally the Pros Never Believed In Object Shot Down Over Canada in Escalating Aerial DramaĬanada Shoots Down 'Unidentified Object' That Violated Its AirspaceīlackRock, Pimco Push Back Against Bets Inflation Cooling Fast (Bloomberg) - Toilet paper prices are on the rise yet again, and the blame can be pinned on an unexpected culprit: the housing market slump. © 2023 Hookshot Media, partner of ReedPop. Join 408,529 people following Push Square: Hogwarts Legacy: All Field Guide Pages Locations What Time Is the Next State of Play Livestream? New Dragon Ball Z Budokai Tenkaichi Game Announced PS4 to PS5: All Games with Confirmed Free UpgradesĪll Yakuza / Like a Dragon Games Ranked: Which Yakuza Gam. New PS5, PS4 Games This Week (6th March to 12th March) German manufacturer Van-Über’s also back as a pre-order bonus, though at the time of writing we haven’t been able to test out the WipEout Fusion returnee. The high-speed but heavy crafts don’t feel remarkably different to other ones in the game, but they sure look the part, with a metallic livery among those on offer. All of this is paired with a heavy electronic soundtrack that sometimes sounds like the kind of low-rent trance music you’d expect to accompany sub-par striptease shows on late 90s satellite television, but works.ĭespite the package feeling overly familiar at times, there is some new content in the form of an all-new team: Tigron. The presentation is exceptional, too: the look of WipEout is a big part of its appeal, from the graphic design of its teams and arenas through to the minimalistic look of its multiple unlockable user interfaces. The game really, really moves – and what’s impressive is how it manages to maintain such a high level of visual fidelity despite the amount of activity occurring on screen. The campaigns can be a little slow-going in the early exchanges – a consequence of easing new players in – but once you’re playing on the high-speed classes you’ll almost be able to feel the Gs. The games feel as slick as they look, with flawless controller response accompanying an eye-watering sense of speed. While the original HD Fury tracks don’t immediately appear enormously improved outside of the significant PS4 Pro resolution boost, the WipEout 2048 courses dazzle at double the framerate and on an Ultra HD screen. Running at a robust 60 frames-per-second, this is an impressive remaster. There are highs and lows to the package itself, then, but fortunately the high-speed racing at the release’s core is rock solid. And there’s also the online multiplayer suite of course, which follows the more straightforward format of HD Fury as opposed to the ambitious 2048 mission-based take. There are three full campaigns on offer here, and they’re complemented by the Racebox mode – an exhaustive selection of modes and options that allows you to set up your own events and competitions, be they solo or split-screen. The aggressive Fury events from WipEout HD arguably offer the greatest sense of satisfaction, with unique modes like Zone Battle and Detenator on display. Single lap sprints are sometimes the order of the day, and it doesn’t always feel particularly fulfilling on a big screen. The single player structure from each release has been maintained as well, with the portable origins of 2048 reflected by its quick play events. There have been no shortage of pretenders to the property’s crown these past few years, but here’s a reminder that the original’s always best. Whether that statement reflects reality or not, fans of anti-grav racers should probably snag this compilation because it’s pretty good – irrespective of what lingers around the hairpin bend. You’ll have heard the marketing pitch a million times by now: buy this one and we may be allowed to make more. It’s also the reason WipEout Omega Collection exists: a commercially viable PlayStation 4 remaster, fusing PlayStation Vita entry WipEout 2048 with revered PlayStation 3 instalment WipEout HD Fury. One of PlayStation’s most iconic brands also happens to be one of its poorest commercial performers – it’s for that reason series creator Studio Liverpool finds itself resting in the Sony first-party graveyard alongside other ex-British institutes like Guerrilla Cambridge and Evolution Studios. Republished on Wednesday 31st July 2019: We're bringing this review back from the archives following the announcement of August's PlayStation Plus lineup. 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Unless otherwise stated, any donated material is given to Oklahoma Cemeteries to make it available online. The original submitter or source of the information will retain their copyright. This is to protect any and all information donated. All information found on these pages is under copyright of Oklahoma Cemeteries. If you wish to have a copy of a donor's material, you must have their permission. The information contained in this site may not be copied to any other site without written "snail-mail" permission. This material may be freely used by non-commercial entities, for your own research, as long as this message remains on all copied material. The information on this site is provided free for the purpose of researching your genealogy. This site may be freely linked, but not duplicated in any way without consent.Īll rights reserved! Commercial use of material within this site is prohibited! If interested please e-mail: Area CoordinatorĬache Kiowa Comanche Apache Intertribal Cemetery NOTICE If you submit information to this website and change your e-mail address please notify the area coordinator with the county/cemetery and new e-mail address so we can keep our pages as up to date as possible. On Round 10, players choose between the four Underlords. Attack Damage changed from 500-1500 to 750-1500.Underlords have one Passive Ability, one Active Ability, and an Ultimate.Mega-Demon: - 1 unit: Allied Mega-Demons get +100% pure damage.The Year Beast now has the Mega-Demon alliance keyword.Mega-Trolls - 3 units: Allied units have +50 attack speed.Dark Trolls now have the Mega-Troll alliance keyword.Attack Damage increased from 200-500 to 400-800.
This is Unit 2 from the teacher’s guide “The French and Indian War 1754-1763.” It includes one lesson plan: List one reason the British wanted to control the Ohio River Valley Background.List one reason the French wanted to control the Ohio River Valley. List one reason the American Indians who lived in the Ohio River Valley became involved.Guiding Questions: What were they fighting for? Why did the American Indians fight? Why did the British and French want access to the land? Objective Use standards and criteria to support opinions and views. Evaluating: Make informed judgements about the value of ideas or materials. Interpret or summarize the ideas in own words. National Geography Standards: 1, 3, 4, 5, 6, 9, 10, 12, 17 Thinking Skills: Understanding: Understand the main idea of material heard, viewed, or read. Continued abuse of our services will cause your IP address to be blocked indefinitely.Grade Level: Upper Elementary: Third Grade through Fifth Grade Subject: Social Studies Lesson Duration: 90 Minutes Common Core Standards: 4.RI.1, 4.RI.2, 4.RI.3, 5.RI.1, 5.RI.2, 5.RI.3, 4.SL.1, 4.SL.1.a, 4.SL.1.c, 4.SL.2, 4.SL.4, 5.SL.1, 5.SL.1.a, 5.SL.1.c, 5.SL.2, 5.SL.4 Additional Standards: National History Standards: K-4 Topic 2: 3A, 3B, 3D K-4 Topic 3: 5A US Era 2: 1B. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior.
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